| Please click on the photos below to see 
				full-size views of the art sticks.
 
					
						|  | Diviner's Rod, by NanC Meinhardt.
						
				Do you see the back of a 
						woman dancing? (click on photos to enlarge) |  
						|  |  |  
						|  | Close-up of Diviner's 
						Rod.  |  
						|  |  |  
						|  | Turn Diviner's 
						Rod on its side. Do you see a sea creature? |  
						|  |  |  
						|  | Bird with Antlers, 
						by NanC Meinhardt |  
						|  |  |  
						|  | Close-up of 
						Bird with Antlers |  
						|  |  |  
						|  | Turn the piece 
						upside-down, and it becomes Bird with Attitude |  
						|  |  |  
						|  | Close-up of 
						Bird with Attitude |  Photos by
				Martin Konopacki
 Website design by
				SnoozLooz
 
 
 
 
 | Workshop
 Art Sticks: I'm Not an 
				Artist. I Can't Draw. I Can Only Draw Stick Figures
 
 What do you see when you look at a stick? Find a wood stick 
that "speaks to you," and bring it along with your favorite seed bead 
				colors, acrylic paint, markers, and any other art materials you enjoy. 
				You will use free-form right-angle weave (and your imagination) 
				to create a sticks of personal meaning. You will create your art 
				stick by expressing what you see.
 
 Scheduling: three- to seven-day workshop.
 See
				materials & supply list.
 
 Skill level: Advanced
 Participants must be able to do off-loom, right-angle weave. 
				Familiarity with whittling, carving, and/or use of Dremel tool 
				is a plus.
 
				Location: NanC's 
				home studio in Highland Park, IL (map)
 
				Description
 We each perceive objects in our own way. Art Sticks is a 
				workshop about seeing and then crafting what you see into a 
				personal stick.
 Find a wood stick that “speaks to you,” and bring it to the 
				workshop. For a four-day workshop, this stick may be any size 
				or shape up to 10” long. It should be sturdy enough to embellish. 
				Give yourself time to become 
				familiar with it, as that knowledge may spark ideas for 
				additional supplies to bring from home. Find a stick with 
				unusual features, such as the shape or how it bends, twists, 
				splits, branches off, etc. You may perceive a human or animal 
				figure. Better yet, look for a stick that looks interesting 
				facets—when you turn it you see something different. You may 
				even be drawn to a root.
				 The general supply list 
				includes beading supplies, acrylic paints, brushes, markers, and 
				other art materials you might enjoy using. This supply 
				list is really more a list of suggestions than a list of 
				items you must have at the workshop. I do ask you to bring 
				drawing and painting supplies, although you do not need to know 
				how to draw to create your Art Stick. As an experiential workshop, each participant will approach 
				making their Art Stick in individual ways, according to your 
				interpretation of what you see. The basic method will be a 
				combination of whittling, carving, or use of 
				a Dremel tool; and applying paint, markers 
				(other art materials), and beading, using free-form right-angle 
				weave to create sticks with personal meaning. You might become 
				involved in the overall shape of your stick or find interest in 
				only part of it. You might wish to take the bark off the stick 
				to lay bare its hidden secrets of grain and knots, you might be 
				attracted to the texture—how the stick feels in your hand. 
				Finding meaning in each stick is similar to lying on your back 
				and looking up at the clouds. There is much to see. What you see 
				in your stick is the place to begin. The prerequisite for this workshop, knowledge of the off-loom 
				bead weaving technique, right-angle weave, is mandatory! 
				Basic right-angle weave forms the foundation for the additional 
				beading techniques taught in the class. I will teach an 
				adaptation of right-angle weave in order to use this technique 
				in a free-form manner. This adaptation includes increasing, 
				decreasing, the use of a “filler bead,” and the use of a “filler 
				bead inside increase.” You will also learn to mix number, 
				shapes, and sizes of beads. I will teach further adaptations in 
				order to stretch the technique beyond your expectations. I will 
				also teach about bead placement within the patterning of 
				free-form right-angle weave to achieve as much accuracy in your 
				design as you desire. Using free-form right-angle weave with 
				size 15 seed beads will provide the highest degree of detail. 
				You will also learn methods to keep your beadwork tight against 
				the surface of your stick. While beading is the main technique for creating your stick, 
				you may also use paint and markers to define your 
				vision and embellish your stick. You can apply paint and markers 
				as an under-coat for the beadwork or as a primary surface. The 
				use of found objects, wire, and fiber 
				will be addressed as well as many other variations. I will also 
				address shaping and carving the stick with a pocket knife 
				and a Dremel tool. The creative process is a central theme of this 
				workshop. You may want to keep a journal reflecting your own process as you progress with 
				your project. Each day will begin with a short discussion of your creative process.  Please feel free to 
				contact me if you have questions or would like to further 
				discuss any aspect of the workshop. I look forward to seeing you 
				in class.
 © 2010 NanC Meinhardt Studio LLC
 
 
 
  
 Highland Park is about 20 miles north of Chicago on Lake 
				Michigan. NanC's home is just east of Sheridan Road, north of 
				Lake-Cook Rd.
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